Digital art is finally made itself into a hyper-real object in the metaverse. NFTs, or non-fungible tokens, are unique and distinct cryptocurrency assets. Each NFT is unique, with distinguishing metadata and identification codes. NFTs are certificates of authenticity, using a string of characters to prove ownership and legitimacy. Simulacrum precedes the original and the distinction between reality and representation vanishes. There is only the simulation, and originality becomes a totally meaningless concept. Crypto art is hyper-real, more than real. NFT art is better than real art, to get “real” objects you need to go out in the middle of a raging pandemic, and it's dangerous outside. Then you need to disinfect the object, clean it so you can touch it. With NFT everything is better now.
Making my bubble series I use the technic of Physically based rendering (PBR). A computer graphics approach that seeks to render images in a way that models the flow of light in the real world. This object is made with mathematical rules, just like a mathematical golden ratio of nature. It is as material as a rock or a tree. By making this object into NFT, it gained the singular plural meaning of the object of cognitive capitalism. But it lost the magic of transcendence.
My Bubbles are meta-gods and meta-deities, once, and still today, believed to be real and transcendent. They are not only objects that are subjects of perception. Virtual reality states that the objects that surround us are only screens that project their essence. In my Bubble series, the objects are the main subject matter. This stems from the search for meaning. The circular motion of meaning is created by human perception and continues to a sharing motion of the objects around us. The objects exist in their own right and by the association between them, and they are real as long as we believe our perception - we believe in the ancient gods.
Boris Marinin is a multidisciplinary artist and curator with MFA in multidisciplinary arts at the Bezalel Academy of Art and Design in Jerusalem. His works presented at Girona Film Festival, Spain. STIFF: Seattle True Independent Film Festival. USA. Splice Film Fest, NYC, USA. European Film Festival (Mainstream & Underground) Venue - "Mirage Cinema" Moscow, Russia. TAM - Torrance Art Museum, Los Angeles. 222lodge, Dordrecht, the Netherlands. Muzeum Sztuki in Łódź. Poland. CICA Museum, Yangchon-eup Gimpo-si, Gyeonggi-do, Korea and more. Artist CV
Sharruma was a Hurrian mountain god. Hurrian culture occur sporadically in northwestern Mesopotamia and the area of Kirkuk in modern Iraq by the Middle Bronze Age. Their presence was attested at Nuzi, Urkesh, and other sites. They eventually infiltrated and occupied a broad arc of fertile farmland stretching from the Khabur River valley in the west to the foothills of the Zagros Mountains in the east. I. J. Gelb and E. A. Speiser believed East Semitic-speaking Assyrians/Subarians had been the linguistic and ethnic substratum of northern Mesopotamia since earliest times, while Hurrians were merely late arrivals.
PSAMATHE was the Nereid goddess of sand and the wife of Proteus, herder of seals. Psamathe was seduced by the Aiginetan king Aiakos (Aeacus) who ambushed her on the beach. She tried to escape his grasp by transforming herself into a seal but he refused to release his hold and so she conceded, bearing him a son named Phokos (Phocus) "the Seal". The boy was his father's favourite and his half-brothers Peleus and Telamon grew jealous and murdered him. Psamathe sent a giant wolf to avenge Phokos by harrassing the flocks of Peleus but he managed to assuage her wrath with proper sacrifices.
Psamathe's name means "Sand-Goddess" from the Greek words psammos (sand) and theia (goddess).
Sarutahiko Ōkami (猿田毘古大神, 猿田彦大神), is the leader of the earthly kami, deity of the Japanese religion of Shinto. Sarutahiko Ōkami is seen as a symbol of Misogi, strength and guidance, which is why he is the patron of martial arts such as aikido.
Sarutahiko's name consists of an etymologically obscure element, Saruta, which is traditionally transcribed with kanji that suggest the meaning "monkey-field" as a sort of double entendre, followed by the Classical Japanese noun hiko "a male child of noble blood, a prince." Thus, Sarutahiko Ōkami's embellished name could be roughly translated into English as "Great God, Prince Saruta." Many variant pronunciations of his name exist, including Sarudabiko and Sadahiko. Although it is usually not written, the Japanese genitive case marker, -no, is often suffixed to his name in speech when it is followed immediately by one of his honorific titles, such as Ōkami or Mikoto.
In Greek mythology, Theia (/ˈθiːə/; Ancient Greek: Θεία, romanized: Theía, also rendered Thea or Thia), also called Euryphaessa "wide-shining", is the Titaness of sight and by extension the goddess who endowed gold, silver and gems with their brilliance and intrinsic value.
"Mother of the Sun, Theia of many names, for your sake men honor gold as more powerful than anything else; and through the value you bestow on them, o queen, ships contending on the sea and yoked teams of horses in swift-whirling contests become marvels."
Tsukuyomi (月読), the moon god in Shinto and Japanese mythology. The name "Tsukuyomi" is a compound of the Old Japanese words tsuku (月, "moon, month", becoming modern Japanese tsuki) and yomi (読み, "reading, counting")
An alternative interpretation is that his name is a combination of tsukiyo (月夜, "moonlit night") and mi (見, "looking, watching").
Venus (/ˈviːnəs/, Classical Latin: /ˈwɛnʊs/; genitive Veneris /ˈwɛnɛrɪs/) is a Roman goddess, whose functions encompassed love, beauty, desire, sex, fertility, prosperity and victory. In Roman mythology, she was the ancestor of the Roman people through her son, Aeneas, who survived the fall of Troy and fled to Italy. Julius Caesar claimed her as his ancestor. Venus was central to many religious festivals, and was revered in Roman religion under numerous cult titles.
Venus has been described as perhaps "the most original creation of the Roman pantheon", and "an ill-defined and assimilative" native goddess, combined "with a strange and exotic Aphrodite". Her cults may represent the religiously legitimate charm and seduction of the divine by mortals, in contrast to the formal, contractual relations between most members of Rome's official pantheon and the state, and the unofficial, illicit manipulation of divine forces through magic.The ambivalence of her persuasive functions has been perceived in the relationship of the root *wenos- with its Latin derivative venenum ('poison'; from *wenes-no 'love drink' or 'addicting'), in the sense of "a charm, magic philtre".
Diana is a goddess in Roman and Hellenistic religion, primarily considered a patroness of the countryside, hunters, crossroads, and the Moon. She is equated with the Greek goddess Artemis, and absorbed much of Artemis' mythology early in Roman history, including a birth on the island of Delos to parents Jupiter and Latona, and a twin brother, Apollo though she had an independent origin in Italy.
Diana is revered in modern neopagan religions including Roman neopaganism, Stregheria, and Wicca. From the medieval to the modern period, as folklore attached to her developed and was eventually adapted into neopagan religions, the mythology surrounding Diana grew to include a consort (Lucifer) and daughter (Aradia), figures sometimes recognized by modern traditions. In the ancient, medieval, and modern periods, Diana has been considered a triple deity, merged with a goddess of the moon (Luna/Selene) and the underworld (usually Hecate).
Kuebiko (久延毘古) is the Shinto kami ("god; deity") of Folk wisdom, knowledge, and agriculture. literally "long stretch help old", "old long extending border", "long-reaching old helping hand"), had an alternate name of Yamada-no-sohodo (山田之曾富騰, literally, "mountain paddy-field's once wealth rise")
The (ca. 712) Kojiki ("Record of Ancient Matters") has the earliest reference to Kuebiko in the myth of Ōkuninushi ("Great Land Master"). When Ōkuninushi was at Cape Miho in Izumo, a small kami arrived in a boat. Nobody knew his name, but a toad suggested asking Kuebiko, who revealed the god was a scion of the goddess Kami-musubi (神産巣日) named Sukuna-bikona (少彦名神). In Basil Hall Chamberlain's translation,
Then the toad spoke, saying: "As for this, the Crumbling Prince will surely know it." Thereupon [the Deity Master-of-the-Great-Land] summoned and asked the Crumbling-Prince, who replied, saying: "This is the Little-Prince-the-Renowned-Deity, the august child of the Deity-Producing-Wondrous-Deity." … So [the Deity here] called the Crumbling Prince, who revealed the Little-Prince-the-Renowned-Deity, is what is now [called] the scarecrow in the mountain fields. This Deity, though his legs do not walk, is a Deity who knows everything in the Empire.
Alisanos (Latinized as Alisaunus) was a local Gallo-Roman god worshipped in what is now the Côte-d'Or in Burgundy and at Aix-en-Provence. The Gaulish theonym Alisanos is derived from the word alisia, meaning either 'rock, boulder' (cf. Old Irish ail) or 'whitebeam' (cf. French alisier), and also found in the toponym Alesia. Miranda Green interpreted Alisanos as a mountain-god.
Anubis or Inpu, Anpu in Ancient Egyptian (/əˈnjuːbɪs/; Ancient Greek: Ἄνουβις, Egyptian: inpw, Coptic: ⲁⲛⲟⲩⲡ Anoup) is the Greek name of the god of death, mummification, embalming, the afterlife, cemeteries, tombs, and the Underworld.
The parentage of Anubis varied between myths, times and sources. In early mythology, he was portrayed as a son of Ra.In the Coffin Texts, which were written in the First Intermediate Period (c. 2181–2055 BC), Anubis is the son of either the cow goddess Hesat or the cat-headed Bastet.Another tradition depicted him as the son of Ra and Nephthys. The Greek Plutarch (c. 40–120 AD) stated that Anubis was the illegitimate son of Nephthys and Osiris, but that he was adopted by Osiris's wife Isis:
In Japanese mythology, Izanami no mikoto (伊弉冉尊/伊邪那美命, meaning "she who invites") is a goddess of both creation and death, as well as the former wife of the god Izanagi-no-mikoto. She is also referred to as Izanami no kami.
The Kojiki talks of the death of Izanami and her tomb, which was located at the boundary between country Izumo and Hōki. It implies that Izanami transferred her soul to an animal and a human before her death, but does not state whether or not Izanami had incarnations.
Ryūjin (龍神) which in some traditions is equivalent to Ōwatatsumi, was the tutelary deity of the sea in Japanese mythology. In many versions Ryūjin had the ability to transform into a human shape. Many believed the god had knowledge on medicine and many considered him as the bringer of rain and thunder, Ryujin is also the patron god (ujigami) of several family groups.
This Japanese dragon symbolized the power of the ocean had a large mouth. He is considered a good god and patron of Japan, since the Japanese population has for millennia lived off the bounty of the sea. Ryūjin is also credited with the challenge of a hurricane which sank the Mongolian flotilla sent by Kublai Khan. Ryūjin lived in Ryūgū-jō, his palace under the sea built out of red and white coral, from where he controlled the tides with magical tide jewels. Sea turtles, fish, jellyfish, snakes, other sea creatures are often seen as Ryūjin's servants.
The Cumaean Sibyl was the priestess presiding over the Apollonian oracle at Cumae, a Greek colony located near Naples, Italy. The word sibyl comes (via Latin) from the ancient Greek word sibylla, meaning prophetess. There were many sibyls in different locations throughout the ancient world. Because of the importance of the Cumaean Sibyl in the legends of early Rome as codified in Virgil's Aeneid VI, and because of her proximity to Rome, the Cumaean Sibyl became the most famous among the Romans. The Erythraean Sibyl from modern-day Turkey was famed among Greeks, as was the oldest Hellenic oracle, the Sibyl of Dodona, possibly dating to the second millennium BC according to Herodotus, favored in the east.
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