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THE [ ] MANIFESTO
 

Radical resistance against ideological manipulation, post-truth propaganda, and the weaponization of art.

 

Art has been used as a tool for ideological control. The speculative visual of violence became a justification for further violence, reinforcing the very destruction it sought to critique. Instead of embracing the multiplicity of perspectives—where every truth can be true—art has historically forced a binary narrative. This limited approach eliminated multidisciplinarity, collapsing the understanding that everything can be everything.

 

Today, AI is used in the same way. Just as art has been used to construct meta-narratives of suffering that justify suffering, AI is now being trained to generate post-truth political realities that sustain war, control, and emotional manipulation. AI is becoming a mechanism for reinforcing the same colonialist, war-driven, hierarchical structures that have dominated artistic production for centuries. I reject the colonialist epistemologies that have defined art as a passive, rationalized, skill-based practice, and instead reclaim intuitive art as a mode of resistance, a direct encounter with the real, and a tool for meaning production beyond control. AI is not an automation tool—it is liberation from rationality, an opening for intuition to expand into a new stage of consciousness. My artistic practice is not a passive manipulated tool for political gain, but a radical resistance.

 

Western artistic tradition has framed suffering as a political justification tool. War paintings, tragedy, and cinema reinforce narratives of trauma as a tool—all of these serve as emotional terrorism, designed to condition audiences into believing that suffering is natural. Now, this same mechanism is being embedded into AI, which is trained on one-sided historical datasets to manufacture traumatic meta-narrative propaganda. It is time for art to refuse to be a tool of emotional coercion. Intuition is the way forward, a method of meaning production that cannot be distorted for fake news.

 

Intuitivism is not only an individual practice. Meaning is not dictated from above but can emerge through playful interaction, intuition, and collective engagement. It is being singular plural—a shared space of intuitive emergence where meaning is formed, dissolved, and reshaped.

 

Intuition predates colonial epistemologies. Historically dismissed as feminine, anti-rational, and emotional, intuition is far more than that—it is a new cognitive frontier, a new stage in consciousness development. Today, we no longer need colonial rationality to dictate our actions. AI can handle the ‘how’, allowing us to focus on the ‘what’. This is the shift: intuition beyond colonial, gendered propaganda, reclaimed as a legitimate form of knowledge production, direct engagement with reality, and a radical act of world-building.

 

I am creating a space to challenge the dominant narratives of artistic production. It is not enough to study intuition as a passive aesthetic practice. I am already producing intuitive multidisciplinary art—paintings, intuitive photography, intuitive video art, and intuitive digital art. My goal is to construct new, interdisciplinary methodologies that disrupt toxic epistemologies, using AI as an outsourced rational, freeing intuition to become the primary mode of engagement. It is time for art to stop being a tool and instead become a new stage of consciousness—a new form of meaning.

 

The [ ] is the possibility of interpretation that I shape. It is the space that cannot be rationally understood. It is not the ‘from’ but the ‘to’, not the ‘how’, but the ‘what’.

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